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Shyamalan made “The Sixth Sense” in 1999 and became famous for twist endings. “I see dead people” became cultural shorthand. He followed with “Unbreakable,” “Signs,” and “The Village”—each with revelations recontextualizing everything before. Critics called him the next Spielberg, then turned on him after “The Last Airbender” and “After Earth” flopped. He returned with “Split” and “Glass,” completing his superhero trilogy. His career arc mirrors his themes: hidden truths, unexpected gifts, and how perception shapes reality. Love him or hate him, he’s one of the few directors whose name sells tickets.